What is to be done with contemporary artists, as they are known, when time has passed? Do we talk in the same way today about works produced in the 1960s as we did ten years ago? What is it—what time limit that is unstated yet felt by one and all—that has us suddenly casting an eye back on a given work as if it were from now on escaping the realm of art criticism, the better to be included in that of art history? These are all issues raised, each in its own way, by certain recent works whose ..
With regard to the upsurge of recent books, whose sole shared aim is to deal with the (vast) subject...
To write a review at the beginning of 2020 is an intricate task. In a matter of weeks, most debates ...
Contemporary art : the shaping of thought on technique Since the year 2000s, publications, symposi...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
To avoid being any longer confined within the circle of apparently resolved issues, art history must...
Contemporary art is still worrying philosophers. But the questions have shifted: as the “public” no ...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
When we are preparing a new issue of Critique d’art, we still have only quite a vague idea about whi...
What is revealed by such different attempts at the writing of history as, on the one hand, Art in Th...
Although anniversaries are often reduced to occasions for canonisation, which can have a somewhat da...
The intent of the thick issue Peinture pratique théorique is praiseworthy. It involves prompting a “...
If the Archives de la critique d’art are a trove of valuable resources, they also encompass and unde...
Rather than discuss post-media conditions as such, the notion of ‘contemporary conditions’ is prefer...
With regard to the upsurge of recent books, whose sole shared aim is to deal with the (vast) subject...
To write a review at the beginning of 2020 is an intricate task. In a matter of weeks, most debates ...
Contemporary art : the shaping of thought on technique Since the year 2000s, publications, symposi...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
To avoid being any longer confined within the circle of apparently resolved issues, art history must...
Contemporary art is still worrying philosophers. But the questions have shifted: as the “public” no ...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The current publishing scene is simultaneously offering French readers a series of works with dispar...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
When we are preparing a new issue of Critique d’art, we still have only quite a vague idea about whi...
What is revealed by such different attempts at the writing of history as, on the one hand, Art in Th...
Although anniversaries are often reduced to occasions for canonisation, which can have a somewhat da...
The intent of the thick issue Peinture pratique théorique is praiseworthy. It involves prompting a “...
If the Archives de la critique d’art are a trove of valuable resources, they also encompass and unde...
Rather than discuss post-media conditions as such, the notion of ‘contemporary conditions’ is prefer...
With regard to the upsurge of recent books, whose sole shared aim is to deal with the (vast) subject...
To write a review at the beginning of 2020 is an intricate task. In a matter of weeks, most debates ...
Contemporary art : the shaping of thought on technique Since the year 2000s, publications, symposi...